In 2014 the Row the Erne Project began with the building of a 33ft, 10 man, traditional Irish boat called a Curach. This is the kind of boat in which Irish people traded with Britain and Western Europe for more than 3,000 years, bringing back not only goods but also new ideas, technologies and fashions.
Continue reading “Row the Erne”
Omagh singer-songwriter Maeve Dunphy’s debut album Scarlet, which was released in 2012, was distinguished by her exceptional songwriting, with lyrics which were arresting and often startling and music which ambitiously contained elements of blues, jazz, reggae and country.
Continue reading “Maeve Dunphy – an interview by Trevor Hodgett”
You and I are already connected
so deeply related – bound by invisible kinship
beyond this window into which you peer.
Let’s return to common ground
to walk with each other in silence
and remember together
our place in the family of things.
Continue reading “Common Ground”
For two days, on the banks of the Erne surrounded by the historic buildings of the Watergate, Maguire Castle and Inniskillings Barracks, the Living Legacies team worked in intense creativity with two writers groups, the Fermanagh Writers and the Omagh Robins.
Continue reading “Living Legacies”
Mullaghfad church, built in 1831 and without electricity, nestles in the heart of the forest on Sliabh Beagh. On the night of 1st July it provided the perfect setting for Sliabh Beagh Arts to create an immersive arts space which would showcase the array of projects they had created over the last year. Continue reading “Forgotten Song”
Elemenopy – the feeling you get when reciting the middle of the alphabet, is a key ingredient in Colm Keegan’s creative writing workshops, whether working with adults or younger, whether it’s poetry, screenwriting, short stories, rap, or songwriting. Whatever it is, it doesn’t matter. Everything starts with ELEMENOPY.
Continue reading “Elemenopy”