It’s Tuesday 7th July, probably the hottest day we’ve seen this Summer and I thought this would be a good day to work outside. I have fair hair and freckles – it wasn’t! Continue reading “Power-Hose Murals”
It’s Tuesday 7th July, probably the hottest day we’ve seen this Summer and I thought this would be a good day to work outside. I have fair hair and freckles – it wasn’t! Continue reading “Power-Hose Murals”
This week sees the opening of a new exhibition in the higher bridges art gallery, Pig Shop: a collection of new works by artist Simon Fennessy Concoran. Pig Shop invites conversation on the concept of value bestowed upon different raw materials in our economy, lifestyles and art. Continue reading “Pig Shop: Simon Fennessy Corcoran”
If there is a leitmotif running through contemporary art it is one of questioning, and in particular there is the omnipresent – What is it trying to say? When I look upon Alex Colville’s seminal painting of Horse and Train (1954), it makes me want tell a story. Continue reading “Art that Lingers Long in the Mind”
People often ask me how did you get started in art. Well it was pretty simple. About six years ago a friend told me he had an appointment with a gallery to show his art to a curator, so I asked if I might paint something and go along with him. He said OK. I painted that night for the first time. Continue reading “Life as an Artist”
It’s not often that a French friend emails me about a film which, ‘I must absolutely see’. She had just watched it at the 2015 Cannes Film Festival and wondered if I had already seen it; I hadn’t. The film was the superb directorial debut by Yann Demange: ’71. When presented at the Berlin Film Festival in 2014, it had five nominations and won him the award for Best Director.